Exile and the Kingdom: Stories (Penguin Modern Classics)
By: Albert Camus
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Here a Frenchwoman is gradually seduced by the sheer difference of North Africa, a mutilated renegade is driven mad by the cruelty of his own people, and a barrel-maker watches the slow decline of his craft. A kindly teacher must choose between the law and a life, while a modest painter is out of his depth in the hypocrisy of the art world, and a French engineer discovers a new sense of belonging in a distant land.
French novelist, essayist, and playwright. Albert Camus (1913-1960) was a representative of non-metropolitan French literature. His origin in Algeria and his experiences there in the thirties were dominating influences in his thought and work.
Carol Cosman is the translator of many works from French, both literary and scholarly. Among the books she has translated are Jean-Paul Sartre's "The Family Idiot: Gustave Flaubert, 1821-1857," Honoré de Balzac's "Colonel Chabert," Simone de Beauvoir's "America Day by Day," and most recently René Daumal's "Mount Analogue".
Here a Frenchwoman is gradually seduced by the sheer difference of North Africa, a mutilated renegade is driven mad by the cruelty of his own people, and a barrel-maker watches the slow decline of his craft. A kindly teacher must choose between the law and a life, while a modest painter is out of his depth in the hypocrisy of the art world, and a French engineer discovers a new sense of belonging in a distant land.
French novelist, essayist, and playwright. Albert Camus (1913-1960) was a representative of non-metropolitan French literature. His origin in Algeria and his experiences there in the thirties were dominating influences in his thought and work.
Carol Cosman is the translator of many works from French, both literary and scholarly. Among the books she has translated are Jean-Paul Sartre's "The Family Idiot: Gustave Flaubert, 1821-1857," Honoré de Balzac's "Colonel Chabert," Simone de Beauvoir's "America Day by Day," and most recently René Daumal's "Mount Analogue".
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